Picked up some clay along the Nicola with my dad. He’s been making his own ceramics since he retired from teaching and moved to Merritt 10 years ago. The banks are slowly being eroded by the river, but there’s some nice clay deposits there if you pick through the silty stuff.
Cabin (film)
Shooting gallery.
Mount Boucherie (location scouting)
Starting work on a new film project that I’m shooting in and around Mount Boucherie. These photos were taken on the route beginning at Eain Lamont Park.
Cabin
Final cabin weekend.
Sugarloaf Mountain
Sugarloaf is a popular name for mountains — see Wikipedia’s extensive disambiguation page. This one was created by a glacier flow and is above Lundbom Lake above Merritt, BC.
Someone left a driver and a bunch of golf balls at the top.
Retaining Wall
Archival inkjet print, 42x42", 2018.
Exhibited at the ODD Gallery as part of As far upriver as you can go before having to switch to a pole, 2018.
The View
My wife Krista and I have a dream to buy The View in Lytton. Friends in town have told us the property is in a legal nightmare, so it’ll probably only ever be just a dream. It’s called The View because it is the most spectacular view in town, perched up high on a bank. I remember getting freezies there in the summer between innings of T-ball games.
Fraser Canyon photos
A few other photos from this series of photos that are being sold at Klowa in Lytton.
Technically only Alexandra Bridge is in the Fraser Canyon, Hope is at the end of the Fraser Valley, and Nicomen is actually on the Thompson before the confluence, but ever since I was a kid growing up in Lytton I’ve thought of the Fraser Canyon starting at Hope and going to Spences Bridge.
All the photos are shot on 120 film, cropped to fit 1.25 ratio (8x10” & 16x20”).
Fraser Canyon photos
My friend Meghan has a shop called Klowa in Lytton and has been selling some photos I’ve been taking around Lytton and the surrounding area.
I grew up in Lytton between 1980-90, and it’s amazing how little that stretch of the Trans Canada has changed since I left as a kid. Growing up later in the Fraser Valley, and then spending the majority of my adult life in Vancouver, it’s strange see these communities that I remember so vividly between Hope and Spences Bridge shrinking, especially when these urban and suburban areas are continue to expand.
All the photos are shot on 120 film, cropped to fit 1.25 ratio (8x10” & 16x20”).
Stag 2
Surprise bachelor party for my friend Pietro Sammarco, a day filled with Smirnoff Ices, go-karts, paintball, karaoke and Pietro’s dad, Ricky.
Tidal Pool film (Platforms edit)
16mm film transferred to HD video, colour and b/w, silent, 2'42"
This is the cut of the film produced to be displayed on the advertising screens in downtown Vancouver, August-September, 2016.
Basement Workshop
Photographed on expired Kodak 64T 4x5” film.
My wife and I were staying with some family friends in the autumn of 2016 while she completed her first semester of medical school at UBC in Vancouver. Jan DeVries had been a professor at UBC and had built the West Point Grey house in the 1960s. Coincidentally, he had been my wife’s father’s professor in agricultural science when he was a student at UBC. An even stranger coincidence: the basement suite that my wife and I stayed in was the suite an ex-girlfriend had first moved into in 2001 when we had both moved to Vancouver to attend Emily Carr. Many of the older houses, especially the more modest-sized ones, were being torn down around Jan’s house. Since he had lived there for decades, Jan had collected a lot of things like bikes, tools and other things that had accumulated in and around the house. The richest area of accumulation was in the basement where Jan had his workshop.
Tidal Pool installation
Installation views of Tidal Pool exhibited as part of Platforms: Coastal City, curated by Karen Henry.
The film was exhibited in 2016, between August and September, at downtown Vancouver advertising screens at Granville & Robson, the CBC building, Terry Fox Plaza and the Telus building.
Stag
Before my wedding, I went with my brother-in-law, Gary, along with Pietro and Genta, a couple of friends from the city, to a cabin my parents share with their friends on Peterson Lake, just off the 97C. The lake is close to Pennask Lake, a popular spot for fishing, and Rouse Lake, which is a short walk away on an old forestry road where they keep an old rowboat locked up. The second day we were there, Dwayne and Braden, a couple of old friends came with Braden’s giant canoe, that had been used at the 2010 Olympic opening ceremonies.
Camera Test
Super 8 camera test (Canon 518 SV Autozoom), shot at field site from As far upriver as you can go before having to switch to a pole in April 2016.
A Dark Shape on the Horizon
Installation views of A Dark Shape on the Horizon at the Arts Council of New Westminster, 2016.
Camera Test
Super 8mm camera test, shot around Bloedel Conservatory in April 2016. Camera is a Bell & Howell, not sure about the model, but it has a faux-wood panelling on the body, and it’s fully automatic. Shot this test on 50D in the late afternoon on a sunny day, so not sure if that’s why the film looks overexposed or if the auto-exposure function doesn’t work anymore.
A Dark Shape on the Horizon
Installation views of A Dark Shape on the Horizon at the Lind Prize Exhibition, Roundhouse Community Centre, 2016.
A Dark Shape on the Horizon
16mm projection, b/w, sound, 2'30"
Sound design by Pietro Sammarco.
Exhibited at the Lind Prize Exhibition, Roundhouse Community Centre, 2016.
Shot at Highland Valley Copper as research for A Dark Shape on the Horizon in September 2015.
Film Test (Cows)
16mm film projection, b/w, silent, 2'15"
Shot at a field on Keith Wilson Road in Chilliwack as research for As far upriver as you can go before having to switch to a pole, shot on Double-X black and white film in September 2014.